Using 3D to Bring Back the ‘Golden Era’ of Professional Wrestling
How Fraser Davidson used C4D, Redshift and more to create a figurine collection celebrating wrestling’s glory days.By Logan Baker Maxon recently had the opportunity to speak with Fraser Davidson, the […]
Destiny 2: The Witch Queen
The Bungie team on using ZBrush to create characters and weapons for the most recent ‘Destiny’ expansion.
No Ordinary Prequel
A love of design and VFX inspired friends and collaborators Justin Fields and Jordan Broe to start Los Angeles-based Sanctum Studios.
‘Venom: Let There Be Carnage’
Lucas Cuenca was born in Ushuaia, Argentina, one of the southernmost cities in the world and a last stop for boats on their way to Antarctica. He made his way to Buenos Aires to study multimedia design, and that was where he first saw “The Lord of The Rings” in a theater.
Creating the “HUXLEY” Universe
“HUXLEY” is an original post-apocalyptic adventure by Ben Mauro , a talented concept artist, character creator and world builder. Over a decade in the making, “HUXLEY” is a trailblazing project that spans NFTs, digital and physical collectibles, film, video games and ultimately immersive experiences in the Metaverse.
The Burrow in 3D
Patryk Urbaniak is look development lead at ScanlineVFX, an award-winning studio with seven locations around the globe. He’s also a huge Harry Potter fan who enjoys challenging himself with personal projects that involve learning new skills.
The Dance of Life in CG
The collective behind Argentina-based Playful Studios collaborates on a wide range of creative campaigns for clients all over the world.
A Flood of Plastic in 3D
Wasteminster: A Downing Street Disaster is a two-minute animated satire with a serious message about what would happen if the 1.8 million kilograms of plastic waste exported by the United Kingdom every day was dumped on Downing Street.
Making Science Fun
Madis Epler worked as a graphic designer for several years before realizing he was really more into animation. So he pursued that goal, digging deep into tutorials, books and everything related to 3D. Now a busy freelance creative director, animator and CGI artist, Epler runs his own studio, Banzai Animation, in Estonia where he grew up.
Using 3D to Set Renaissance Art in Motion
New York City-based director Saad Moosajee has always found Renaissance art interesting because “it evokes God and seems to have a holy quality whether there are literally angels or just dark, moody figures,” he explains. Even so, it’s an aesthetic he hasn’t found much use for until recently, when Japanese singer-songwriter, Joji, contacted him about directing a music video for “777”, a track from the artist’s latest album, Nectar.