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Tough Times Call for Good Feels
Jon Lutjens breaks down his recent 3D-animated video journey, Good Trip.
Digital Diversity
Amrit Pal Singh’s NFT-Ready Toy Face Portraits and 3D Rooms Are the Future of 3D Art.
The Art of Stranger Things
As fans gear up for season four of the popular sci-fi series, Visual Effects Designer Steven Messing offers a look at how aspects of the series are created in C4D.
Reengineering Timekeeping
Studio Plankton on the brand video they created for modern watchmaker, Ressence.
Making Science Fun
Madis Epler on how he uses C4D and other tools to create sci-fi-inspired idents for Smartzone TV rebrand.
Bringing Science to Life
How Ink and Giants turned DNA into an animated, immersive experience at a Saudi Arabian science museum.
Who Says Finance Can’t be Visually Interesting?
The Mill explains the story and design behind their 3D animated spot for Bloomberg.
What Heartbreak Looks Like
Jan Sladecko on the making of the 3D animated music video for J Balvin’s “Azul.”
Using 3D to Set Renaissance Art in Motion
Saad Moosajee and his team on creating the music video for Joji's "777".
From CG Experiment to Short Film
Takayuki Sato talks about the making of his latest short, Portal.
Artful Engineering
The "electrowave" artwork on screen at the end of the film showcases the extreme viewing angle of the VIZIO OLED TV.
Behind the Screens of Feature Films
UI design futurist Jayse Hansen on his career designing holograms and advanced future tech for Iron Man, Robocop, Katniss, Spiderman and many other superheroes and characters.
Nick DenBoer and the Art of Weird
A behind-the-scenes look at the making of Deadmau5 and the Neptunes’ music video, “Pomegranate.”
Machine Dreams
A behind-the-scenes look at a new film about artificial intelligenceAntibody’s Patrick Clair on the making of the titles for HBO’s Westworld season 3, including visuals generated by an AI neural network.
Making Magic Behind the Scenes
Painting Practice on being the bridge between traditional and digital art departments for high-profile TV and films.
Nature Will Prevail
Designer/illustrator/art director Sasha Vinogradova on her new short film, Forest.
Art Under Quarantine
Motion graphics artist Fabian Aerts on the fictional title sequence he created during lockdown.
What You May Find
Chicago-based Sarofsky on using C4D, Houdini and more for the FITC Toronto 2020 titles.
High-End Effects on an Indie Budget
Eric Demeusy on using C4D for all of the 3D CG and VFX in his first feature film, Proximity.
Love, Myth and the Moon
Russ Etheridge explains his new 3D short film, Armstrong.
The Future of Music
London’s Miro Shot on how their AR/VR band collective is making a new kind of music.
The Art of Scientific Storytelling
Microverse Studios on helping a cutting-edge biotech firm visualize the future of medicine.
Rise of the Stormtroopers
Far from bumbling, the bad guys get tough in the fan film, Star Wars: The Last Stand.
Lost in Thought
OVERWERK on using C4D and Redshift to create iconic sculptures for his latest video, Virtue.
Coffee Run
Bomper pushed C4D’s character tools to make an animated short about a round of drinks gone horribly wrong.
Machine
A behind-the-scenes look at a new film about artificial intelligence by the creators of Chef’s Table.
Drone Racing for the Real World
Dazzle Ship on building the Drone Racing League’s brand and launching its newest street drone.
Audiences Just Aren’t Feelin’ It.
David and Chelsea Ariew break down A Bad Think’s new music video for “Feel Me.”
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