John Robson has spent nearly 20 years creating award-winning content for top brands, film, TV and games. A Southern California native, he left Late Lunch, the studio he founded in 2005, behind two years ago to take on a director job at HouseSpecial in Portland, Oregon.
When Huawei approached the WPP Team Huawei agency about creating a promotional short showcasing some of the ways in which technology improves quality of life, they tapped Warsaw-based design and animation studio Ars Thanea to be the creative production lead on the project.
Emmy Award-winning Director and Motion Designer John Likens is well known for his design and animation work for TV and film. . Over the years he has created title sequences for “Deadpool 2,” HBO’s “The Night Of” and Netflix’s “Godless,” as well as holographic UI for “Iron Man 3,” “RoboCop” and “Transformers: Age of Extinction.”
Wasteminster: A Downing Street Disaster is a two-minute animated satire with a serious message about what would happen if the 1.8 million kilograms of plastic waste exported by the United Kingdom every day was dumped on Downing Street.
When the Finnish mobile video game giant Supercell needed a fast and funny animated trailer to introduce a new feature in its hugely popular “Clash Royale,” the company turned to a longtime collaborator, Squeeze Animation Studios.
Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. And the future tech, screen graphics and holograms she has designed have been featured in a long list of high-profile films, including The Suicide Squad, Black Widow, Ant-Man and the Wasp, Guardians of the Galaxy Vol. 2, Spider-Man Homecoming, Thor Ragnarok, Mile 22 and Bumblebee.
Tendril had not yet worked with Hublot when the Swiss luxury watchmaker got in touch about creating a launch film for its Big Bang Integral Tourbillon Full Sapphire limited series watch. Known for expertly blending elegance and engineering, Hublot had seen Tendril’s work and thought the Toronto, Canada-based studio was the right choice for visualizing the watch, which was 10 years in the making and has a case and bracelet made entirely from sapphire.
Belgian-based Studio Plankton’s team of 3D artists and animators are skilled at telling brand stories of all sorts. One of their many clients is Ressence, a modern watchmaking start-up that has relied on the studio to transform highly technical specifications into meticulously detailed visuals with clear messaging and contemporary branding since 2015.
Flashy motion graphics pieces are the perfect way to go for some projects. But sometimes there has to be more to the visual story. That was the case recently when Bloomberg asked The Mill to create a 30-second spot for Interactive Brokers, a brokerage firm that serves customers all over the world.
TVs have changed so much since they were first introduced in the late 1920s, it’s hard to see much of a resemblance. These days, OLED (organic light emitting diode) TVs are the cutting-edge choice for those who want superior picture quality, color and contrast. But all OLED TVs are not created equal. That’s why VIZIO worked with London-based Found studio for the launch of the brand’s first OLED TV earlier this year.