A behind-the-scenes look at a new film about artificial intelligence by the creators of Chef’s Table. Anyone who has watched a lot of science fiction knows it’s never a good idea to get on AI’s bad side. Get snarky with Siri and Alexa, and future artificial intelligence might just make an example of you during the robot apocalypse.
When large-scale prop company Jet Sets required a ZBrush artist to create a tree-inspired piece for Lady Gaga, traditional and digital sculptor Deborah Wright jumped at the challenge. A set piece of the 2022 Chromatic Ball tour, the complex, twisted fiberglass tree fully encompassed Lady Gaga’s signature piano.
NMBRS Studio on using Maxon One for their first cinematic trailer for the upcoming video game ‘GOALS.’
Robert Hranitzky’s unboxing parody “E-11: Standard Issues – Star Wars Fan Film,” has nearly a million views on YouTube and it’s easy to see why. Written, directed and created by Hranitzky, with the help of family and friends, “E-11” is no ordinary Star Wars fan film.
Balancing homage with the fact that 60 years have passed in the world of The Matrix, motion design company Studio C served as the lead graphic vendor on “The Matrix: Resurrections.”
Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. And the future tech, screen graphics and holograms she has designed have been featured in a long list of high-profile films, including The Suicide Squad, Black Widow, Ant-Man and the Wasp, Guardians of the Galaxy Vol. 2, Spider-Man Homecoming, Thor Ragnarok, Mile 22 and Bumblebee.
Madis Epler worked as a graphic designer for several years before realizing he was really more into animation. So he pursued that goal, digging deep into tutorials, books and everything related to 3D. Now a busy freelance creative director, animator and CGI artist, Epler runs his own studio, Banzai Animation, in Estonia where he grew up.
Sarner is known for being a creative agency that specializes in immersive visitor experiences, so when they were asked to head up a new exhibition for the Biotech Room at the King Salman Science Oasis in Riyadh, Saudi Arabia, they assembled the perfect team to get the job done. One Small Pixel served as the creative and production company coordinating the content in three main rooms, and they partnered with London-based Ink and Giants to create and direct experiential films as part of the installation.
Flashy motion graphics pieces are the perfect way to go for some projects. But sometimes there has to be more to the visual story. That was the case recently when Bloomberg asked The Mill to create a 30-second spot for Interactive Brokers, a brokerage firm that serves customers all over the world.
Freelance art director/motion designer Takayuki Sato is currently living in Japan, where he was born and got his start in the industry. But his career was meaningfully shaped years earlier when he moved to the US to study motion graphics and English.
L.A.-based art director Sasha Vinogradova’s animated short Forest is an environmentally conscious fairy tale that doubles as a grim fable about humans’ capacity for destruction. Made with Cinema 4D, Arnold, and After Effects, Forest is a milestone in Vinogradova’s fast-developing career as a visual artist and art director.
Spurred on by the free time imposed by the COVID-19 pandemic lockdown, Brussels-based motion graphics artist Fabian Aerts decided to fulfill his dream of creating a TV title sequence.
Aptly named, What You May Find, the FITC titles offer a dark and referential vision of a future in which technology and innovation are used to manipulate and homogenize humanity. Erin Sarofsky, who founded her design-driven production company in 2009, says her team was honored when FITC founder, Shawn Pucknell, asked them to create the titles.
Sekani Solomon’s short film, Star Wars: The Last Stand, was viewed nearly 2 million times in the first two months after he posted it on YouTube. It was a pleasant surprise, to say the least, Solomon says, particularly since the film was a personal project that started out as a gag when he was working as a motion designer at Imaginary Forces in 2016.
A behind-the-scenes look at a new film about artificial intelligence by the creators of Chef’s Table. Anyone who has watched a lot of science fiction knows it’s never a good idea to get on AI’s bad side. Get snarky with Siri and Alexa, and future artificial intelligence might just make an example of you during the robot apocalypse.