When the Finnish mobile video game giant Supercell needed a fast and funny animated trailer to introduce a new feature in its hugely popular “Clash Royale,” the company turned to a longtime collaborator, Squeeze Animation Studios.
Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. And the future tech, screen graphics and holograms she has designed have been featured in a long list of high-profile films, including The Suicide Squad, Black Widow, Ant-Man and the Wasp, Guardians of the Galaxy Vol. 2, Spider-Man Homecoming, Thor Ragnarok, Mile 22 and Bumblebee.
Tendril had not yet worked with Hublot when the Swiss luxury watchmaker got in touch about creating a launch film for its Big Bang Integral Tourbillon Full Sapphire limited series watch. Known for expertly blending elegance and engineering, Hublot had seen Tendril’s work and thought the Toronto, Canada-based studio was the right choice for visualizing the watch, which was 10 years in the making and has a case and bracelet made entirely from sapphire.
The last time Motion Designer Jon Lutjens collaborated with
Director Anthony Gaddis they were part of the team who made Mac Miller’s posthumous Good News video.
COVID-19 forced the world into lockdown last year, and that changed the way people work. Handshakes are out, facemasks are in, and many in-person meetings have been replaced by Zoom conferences. Even as some head back into the office, Zoom’s gridwork of postage-stamp-sized avatars of friends and colleagues remains a big part of a lot of people’s workdays.
There aren’t a lot of artists with a credits list like Emmy Award-winning Art Director Steven Messing’s. Over his long career, Messing has contributed to more than 50 film and television projects, including Avatar sequels, Avengers, Alien Covenant, Transformers, Game of Thrones and Stranger Things.
Belgian-based Studio Plankton’s team of 3D artists and animators are skilled at telling brand stories of all sorts. One of their many clients is Ressence, a modern watchmaking start-up that has relied on the studio to transform highly technical specifications into meticulously detailed visuals with clear messaging and contemporary branding since 2015.
Madis Epler worked as a graphic designer for several years before realizing he was really more into animation. So he pursued that goal, digging deep into tutorials, books and everything related to 3D. Now a busy freelance creative director, animator and CGI artist, Epler runs his own studio, Banzai Animation, in Estonia where he grew up.
Sarner is known for being a creative agency that specializes in immersive visitor experiences, so when they were asked to head up a new exhibition for the Biotech Room at the King Salman Science Oasis in Riyadh, Saudi Arabia, they assembled the perfect team to get the job done. One Small Pixel served as the creative and production company coordinating the content in three main rooms, and they partnered with London-based Ink and Giants to create and direct experiential films as part of the installation.
Flashy motion graphics pieces are the perfect way to go for some projects. But sometimes there has to be more to the visual story. That was the case recently when Bloomberg asked The Mill to create a 30-second spot for Interactive Brokers, a brokerage firm that serves customers all over the world.