Balancing homage with the fact that 60 years have passed in the world of The Matrix, motion design company Studio C served as the lead graphic vendor on “The Matrix: Resurrections.”
Leon Film’s “A Darker Shade of Magic” is an enchanting fan film-like trailer based on V.E. Schwab’s best-selling fantasy series “Shades of Magic.”
When Dave Koss, Matt Milstead and the rest of the team at Mograph.com were planning their newly launched 24/7 streaming channel, MographTV, they knew they wanted to include many different artists who could pop on in between shows in short videos offering tips, inspiration and whatever else they dreamed up.
When Huawei approached the WPP Team Huawei agency about creating a promotional short showcasing some of the ways in which technology improves quality of life, they tapped Warsaw-based design and animation studio Ars Thanea to be the creative production lead on the project.
Emmy Award-winning Director and Motion Designer John Likens is well known for his design and animation work for TV and film. . Over the years he has created title sequences for “Deadpool 2,” HBO’s “The Night Of” and Netflix’s “Godless,” as well as holographic UI for “Iron Man 3,” “RoboCop” and “Transformers: Age of Extinction.”
Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. Vancouver, Canada-based motion graphics artist Robyn Haddow has specialized in creating fantasy user interfaces (FUI) for years. And the future tech, screen graphics and holograms she has designed have been featured in a long list of high-profile films, including The Suicide Squad, Black Widow, Ant-Man and the Wasp, Guardians of the Galaxy Vol. 2, Spider-Man Homecoming, Thor Ragnarok, Mile 22 and Bumblebee.
The last time Motion Designer Jon Lutjens collaborated with
Director Anthony Gaddis they were part of the team who made Mac Miller’s posthumous Good News video.
Belgian-based Studio Plankton’s team of 3D artists and animators are skilled at telling brand stories of all sorts. One of their many clients is Ressence, a modern watchmaking start-up that has relied on the studio to transform highly technical specifications into meticulously detailed visuals with clear messaging and contemporary branding since 2015.
Madis Epler worked as a graphic designer for several years before realizing he was really more into animation. So he pursued that goal, digging deep into tutorials, books and everything related to 3D. Now a busy freelance creative director, animator and CGI artist, Epler runs his own studio, Banzai Animation, in Estonia where he grew up.
Sarner is known for being a creative agency that specializes in immersive visitor experiences, so when they were asked to head up a new exhibition for the Biotech Room at the King Salman Science Oasis in Riyadh, Saudi Arabia, they assembled the perfect team to get the job done. One Small Pixel served as the creative and production company coordinating the content in three main rooms, and they partnered with London-based Ink and Giants to create and direct experiential films as part of the installation.