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Digital Diversity
COVID-19 forced the world into lockdown last year, and that changed the way people work. Handshakes are out, facemasks are in, and many in-person meetings have been replaced by Zoom conferences. Even as some head back into the office, Zoom’s gridwork of postage-stamp-sized avatars of friends and colleagues remains a big part of a lot of people’s workdays.
Using 3D to Bring Back the ‘Golden Era’ of Professional Wrestling
How Fraser Davidson used C4D, Redshift and more to create a figurine collection celebrating wrestling’s glory days.By Logan Baker Maxon recently had the opportunity to speak with Fraser Davidson, the mastermind behind a campy, fun 3D-crafted figurine collection of some of wrestling’s all-time greats. Using Cinema 4D, Redshift and Greyscalegorilla Plus, Davidson brought Hulk Hogan, […]
Creating the Titles for Season 2 of “SEE”
Emmy Award-winning Director and Motion Designer John Likens is well known for his design and animation work for TV and film. . Over the years he has created title sequences for “Deadpool 2,” HBO’s “The Night Of” and Netflix’s “Godless,” as well as holographic UI for “Iron Man 3,” “RoboCop” and “Transformers: Age of Extinction.”